Kuvaus

UK originaali, ei suomitekstejä. Tekstit englanniksi.

Shameless numbered edition, numeroitu 3649

All the illicit thrills which genre fans cherish (sex, violence, weirdness galore) are present woven in a Hitchcockian woman-in-peril/murder mystery plot with trippy, supernatural frills. Bruno Nicolai s sitar-tinged music score swirls into psychedelic overdrive. Starring the undisputed Queen of Italian exploitation: the impossibly beautiful, sensuous, Edwige Fenech, whose uninhibited nudity in films is never ever vulgar. Here she stars as a woman who joins a satanic sect in order to escape from a man who is trying to kill her. black-robed orgy ensues, replete with blood sacrifice, oddball chanting, and a delectable helping of nudity and sex...

Specail Features
A brand new Shameless interview with director Sergio Martino
Limited numbered collector s edition
talian and English Audio
Optional English subtitles
Original aspect ratio: 2.35:1

  • Rated : Suitable for 18 years and over
  • Language: : Italian
  • Package Dimensions : 17 x 13.4 x 1.2 cm; 49.9 Grams
  • Manufacturer reference : unknown
  • Director : Sergio Martino
  • Media Format : PAL
  • Run time : 1 hour and 31 minutes
  • Release date : 12 Jun. 2017
  • Actors : Edwige Fenech, George Hilton, Susan Scott, Edwige Fenech, George Hilton
  • Subtitles: : English
  • Studio : Shameless Screen Entertainment
  • ASIN : B06XYKP7V4
  • Number of discs : 1

'All the Colours of the Dark' (Tutti I colori dei Buio) A/K/A 'They're Coming to Get You,' is a Sergio Martino film which was made and released back in 1972, and is an Italian / Spanish co-production set in and around London. It identifies with the traditional Italian Giallo genre of film albeit borrowing influences from the 1955 French thriller 'Les Diabolique,' as well as Roman Polanski's 1968 film 'Rosemary's Baby.'
The title is rather ambiguous and the film is shot in such away that at times you're not quite sure if you're witnessing nightmarish dreams or, current reality, as the central character Jane (played by the drop dead gorgeous, with a body to die for, Edwige Fenech) is suffering from postpartum depression, following an earlier car accident involving her and her partner Richard (played by George Hilton), which resulted in her suffering a miscarriage.
After the opening film credits and the dark dusky shots die away, the film immediately grabs your attention as we witness Jane having one of her bizarre nightmares involving a pregnant woman with her legs resting in stirrups, and a grotesque woman / mannequin suddenly appearing, as she is lying on the bed naked and dream like before getting stabbed to death and the pregnant woman also slain!
Jane wakes up realizing she was experiencing another nightmare and goes for a shower. Richard comes home to find her in a bit of a state and says that she hasn't been taking her medication again. At this point you're left wondering whether Richard maybe involved in attempting to get her committed into an asylum.
In addition, Jane feels that she is being stalked in real life by her killer from her nightmare (played by another Giallo regular, Ivan Rassimov), the stranger with piercing blue tinted eyes.
Jane's sister Barbara (played by Susan Scott) works for a London psychiatrist and recommends that she should be seen by him to help her overcome her fragile state of mind, and for her to stop taking the vitamins that her partner has been feeding her.
As the film develops and Jane's nightmares begin to turn into reality, people start dying and the film heads into the realms of satanic devil worshiping but, all is not what it seems.......
'All the Colours of the Dark' is released by Shameless, in its yellow sleeve cover (Giallo). The film is good quality and has been restored to the director's original uncut version in an attempt to convey that one or two of Jane's dreams are actually, premonitions which comes into play near the end of the film.
There is a fascinating interview with the director, and an audio commentary by two female film critics / reviewers throughout the entire playing of the film which I found annoying rather than helpful, as they were not explaining or helping the viewer to understand what the director was intending rather, coming out with a lot of general chit chat about various things surrounding the making of the film.
An added bonus is a short film called 'Doors' shot by another director, in Macedonia, about a woman getting trapped in the space between her outer external apartment door and her inner internal door, both doors having key locks, and her front door keys are dangling in the lock from the outside! Worth a look.

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