cd, Vidna Obmana - Tremor [ambient, electronic, experimental]

Label: Release Entertainment - RR 6509-2
Format: CD, Album
Country: US
Released: Sep 2001
Genre: Electronic
Style: Tribal, Ambient

01. Moedra 4:28
02. Flesh Reaper 7:30
03. MindTunnel 6:55
04. The Insane Brightness 5:33
05. Luminous Progression 7:31
06. Artificial Repose 7:15
07. The Seeker And The Spell 7:24
08. Simulate 8:10
09. Tremor 8:10
10. The Bleak Inferno 3:06
11. Descent 7:00

Total time 73:08

Phonographic Copyright - Relapse Records, Inc.
Copyright © - Relapse Records, Inc.
Recorded At - Serenity Studio
Mixed At - Serenity Studio
Mastered At - Little Major Productions

Composed By [Contructed By], Performer - vidnaObmana*
Design - Orion Landau
Photography By - Martina Verhoeven
Photography By [Artist Photography] - Spacelab

Dirk Serries aka Vidna Obmana : sounds [atmospheres, rhythms], flute [various fujara's, overtone flutes], percussion, pipe [dreampipe], effects [recycling & abstract mutations], voice, electric guitar, harmonica [ebow harmonica]

Recorded & mixed at the Serenity Studio, Belgium between August 2000 and March 2001.

Mastered at Little Major Productions, Belgium.

(P) & (C) 2001 Relapse Records, Inc.

Matrix / Runout: 427727AM-01 RLP-6509 011607-24

Barcode: 7 81676 65092 7

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Hyvin vähäistä hiusjälkeä, josta ei ole haittaa toistossa. 6-sivuinen uudenveroinen kansilehtinen sisältää normaalit kappale- & esittäjätiedot.

Belgian producer Dirk Serries aka Vidna Obmana is a prolific composer of deep ambient and electro-acoustic music, utilizing slow, shifting electronic figures and sparse environmental recordings to construct long, minimalist, often extremely personal textural works. Taking his nom de plume from the Yugoslavian for "optical illusion" (a concept which carries much weight in his composing, as well), Serries has released material through a wide range of different labels, including Projekt, Amplexus, Extreme, Hic Sunt Leones, Syrenia, ND and Multimood.

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Born and raised in Antwerp, Serries began recording experimental noise musics in the late '80s, working solo and in combination with artists such as PBK, exploring the more abrasive side of electronic composition. Beginning with the release in 1990 of Shadowing in Sorrow, however, (the first part of what would come to be known as Vidna's ambient Trilogy) Serries began moving toward an almost isolationist ambient aesthetic, exploring themes of calm, solitude, grief, and introspection in long, moving pieces which tended to chart similar ground as American space music artists such as Robert Rich, Michael Stearns and Steve Roach (Serries has since collaborated with both Rich and Roach).

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