Titans of terror George A. Romero and Stephen King deliver yet another selection of blood-curdling tales in Creepshow 2, the follow-up to the 1982 horror classic.

In “Old Chief Wood’nhead”, a group of young hoodlums face retribution from an unlikely source after looting a local hardware store. Meanwhile, “The Raft” sees a group of horny teens wishing they’d read the warning signs first before taking a dip in a remote lake. Finally, an uptight businesswoman finds herself with some unwanted company following a hit-and-run incident in “The Hitch-hiker”.

Retaining the same EC Comics flavour that made the original such a hit, Creepshow 2 — this time directed by long-time Romero collaborator Michael Gornick — is a standout horror anthology from the minds of two of the genre’s master craftsmen.

4K ULTRA HD LIMITED EDITION CONTENTS

Brand new 4K restoration by Arrow Films from the original negative
4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible)
Original lossless mono, stereo and 5.1 DTS-HD MA surround audio options
Optional English subtitles for the deaf and hard of hearing
Audio commentary with director Michael Gornick
Screenplay for a Sequel, an interview with screenwriter George A. Romero
Tales from the Creep, an interview with actor and make-up artist Tom Savini
Poncho’s Last Ride, an interview with actor Daniel Beer
The Road to Dover, an interview with actor Tom Wright
Nightmares in Foam Rubber, an archive featurette on the special effects of Creepshow 2, including interviews with FX artists Howard Berger and Greg Nicotero
My Friend Rick, Howard Berger on his special effects mentor Rick Baker
Behind-the-scenes footage
Image gallery
Trailers & TV spots
Original screenplay galleries
Creepshow 2: Pinfall, a Limited Edition booklet featuring the comic adaptation of the unfilmed Creepshow 2 segment “Pinfall” by artist Jason Mayoh
Illustrated collector’s booklet featuring writing on the film by festival programmer Michael Blyth
Reversible sleeve featuring original and newly commissioned artwork by Mike Saputo