Josef Van Wissem - When Shall This Bright Day Begin Vinyyli
Kuvaus
Levy VG+ (Soi ilman napsuja tai taustarahinaa)
Kannet VG (Vaurio joka näkyy etupuolella taittumana ja takapuolella murtumana)
Ei noutoa.
Maksu tulee suorittaa viiden päivän sisällä kohteen sulkeutumisesta.
En neuvottele tuotteen hinnasta tai postikuluista.
Postitan paketit yleensä muutaman päivän sisällä siitä kun maksu näkyy tililläni. Ilmoitan postituksesta vielä erikseen.
To Lose Yourself Forever Is Eternal Happiness
You Can't Remain Here
Detachment
The Purified Eye Of The Soul Is Placed In The Circle Of Eternal Sun
The Ecstasy Of The Golden Cross
On The Incomparable Nobility Of Earthly Suffering
Ruins
Death Of The Ego
Product Description
The Dutch minimalist Jozef Van Wissem s celebrated lute compositions have met with universal acclaim, even bringing him the 2013 Cannes Film Festival Soundtrack Award for his score of Only Lovers Left Alive, a vampire film by Jim Jarmusch. When Shall This Bright Day Begin features eight new compositions that will feel both familiar and fresh, with Van Wissem pushing his compositions subtly away from a rigid contemporary classical style into a more open sound with an almost experimental dark folk/rock orientated emphasis. Van Wissem even quite literally opens up his work, as he invited renowned artist Zola Jesus for two collaborations.
Review
Gorgeous, haunting, mesmerizing ... seductive and virtuosic ... Dutch minimalist composer Jozef Van Wissem moves away from contemporary classical music and towards experimental folk on his new album When Shall This Bright Day Begin. It s a gorgeous, haunting, mesmerizing twist that pays big dividends on his new single Ruins, which features the incomparable Zola Jesus. Meanwhile Van Wissem s lute playing is seductive and virtuosic, as its warmness pulls the listener deep into the music only to be slayed again by Zola Jesus ethereal vocals. --Pop Matters
Jozef van Wissem wants to make the lute sexy again, and Jim Jarmusch is helping him ... simple [and haunting]. --The Washington Post
As both an avant-garde composer and a baroque lutenist, the Dutch musician ... is no stranger to dichotomy. --The New York Times
