Mill of the Stone Women [Arrow Blu-ray]

Brittioriginaali, toimii normisti suomisoittimissa, ei suomitekstejä. Tekstit englanniksi. 

Laadukas Arrow yhtiön Blu-rayjulkaisu. 

Before Black Sabbath, before The Whip and The Body, director Giorgio Ferroni (The Lion of Thebes, Blood for a Silver Dollar) introduced audiences to period horror Italian-style with his chilling 1960 shocker Mill of the Stone Women – a classic tale of terror redolent with the atmosphere of vintage Hammer Horror.

 

Young art student Hans von Arnam (Pierre Brice, Night of the Damned) arrives by barge at an old mill to write a monograph about its celebrated sculptures of women in the throes of death and torture, maintained and curated by the mill’s owner, the hermetic Professor Wahl (Herbert Böhme, Secret of the Red Orchid). But when Hans encounters the professor’s beautiful and mysterious daughter Elfi (Scilla Gabel, Modesty Blaise), his own fate becomes inexorably bound up with hers, and with the shocking secret that lies at the heart of the so-called Mill of the Stone Women.

 

The first Italian horror film to be shot in colour, Mill of the Stone Women prefigured a raft of other spaghetti nightmares, including the work of maestros Mario Bava and Dario Argento. Arrow Video is proud to present this this superb restoration of one of the foundational titles of Italian horror.

 

SPECIAL EDITION CONTENTS

• 2K restoration from the original negative by Arrow Films
• High Definition (1080p) Blu-ray presentation of the original 96-minute Italian and English export versions
• Restored original lossless mono Italian and English soundtracks
• English subtitles for the Italian soundtrack
• Optional English subtitles for the deaf and hard of hearing for the English soundtrack
• Audio commentary by Tim Lucas, author of Mario Bava: All the Colors of the Dark
• Mill of the Stone Women & The Gothic Body, a visual essay on the trope of the wax/statue woman in Gothic horror by author and critic Kat Ellinger
• Turned to Stone, a featurette containing archival interviews with actress Liana Orfei and film historian Fabio Melelli
• A Little Chat with Dr. Mabuse, an archival interview with actor Wolfgang Preiss
• Rare opening titles from the UK release, re-titled Drops of Blood
• German opening titles
• US and German theatrical trailers
• Image galleries
• Reversible sleeve featuring original and newly commissioned artwork by Adam Rabalais

• Director ? : ? Giorgio Ferroni
• Media Format ? : ? Blu-ray
• Run time ? : ? 1 hour and 36 minutes
• Release date ? : ? 17 Feb. 2025
• Actors ? : ? Pierre Brice, Scilla Gabel, Wolfgang Preiss
• Studio ? : ? Arrow Video
• ASIN ? : ? B08R5BPFX1

Without question an inappropriate, inane, or pulpy comic book style title has waylaid many a significant and otherwise worthy terror film. "Curse of the Cat People," remains affixed to a story of child psychology, "Kill Baby Kill," remains affixed to a wondrous 19th century European ghost story, and here, perhaps worst of all, "Mill of the Stone Women," is the awkward moniker stuck to this artistically accomplished film.

With a clunky title like "Mill of the Stone Women," it is scarcely any wonder that the film has remained largely unknown,unremarked upon, and unavailable for nearly 50 years ! What a pity, for here is a story produced with such an aesthetically accomplished loving care that each frame breathes a compositional beauty of the highest standard.

The felicitous combination of Arrigo Equini's art direction and Pier Ludovico Pavoni's photography in this picture, recalls the best of Jack Asher, Floyd Crosby, Mario Bava, Bernard Robinson, and Daniel Haller and has, in not a few of the tableaux rendered here, even surpassed these masters. Even Mario Praz would probably approve!

From the opening shot of the windmill on the lake under a leaden sky, to its shadowy, beautifully appointed interior parlors, complete with the anti-heroine, Scilla Gabel, peaking mournfully through the portieres--while the soundtrack gives forth with a disquieting numinous wail--the film rarely fails to sound the genuine Gothic note.

Add to that one of the most disturbing, (far more so than "House of Wax") use of a waxworks yet seen on the screen. For here we have, not merely figures of unsettling visage, but figures that mechanically encircle a stage--Joan of Arc, Cleopatra, Mary Queen of Scots, sallying threateningly towards the camera in a nightmarish parade--all to the accompaniment of a tune that might have been composed by Truman Capote! There are many exquisite scenes to savor: Miss Scabra's blood red boudoir, a scene of her beneath the lid of a dusty glass coffin holding yellow roses against her very dead, old ivory like complexion, a laboratory sequence that pulls out all the stops, a charming stop at a beer garden type pub, complete with accordions and pretzel stands, a climactic fire with the dummies melting in grotesque close-ups, not to mention a beautifully costumed, very accomplished, and handsome cast of players.

Miss Gabel seems very much in the Gina Lollobrigida mold, but manages facial expressions of such uncanny yearning that is easy to imagine Mr. Brice falling under her spell. In this sense, she joins company with Barbara Steele, as one of the very few women able to combine beauty and eeriness in equal measure.

Pierre Brice approaches his assignment with convincing earnestness and looks very much like a cross between Stephen Boyd and Horst Buchold.

A special compliment should be paid to the Technicolor here, which never shrieks, but delivers cold blues and unearthly reds in a fashion that favorably recalls Pressburger's "Tales of Hoffmann." And take a good look at the hutch in the ante-room of Mr. Brice's bedroom; it is the same one featured in Jacqueline Pierreux's parlor in Bava's "Black Sabbath"--the one she keeps her liquor in. Perhaps Mr. Brice had a yard sale! In any case, to fans of the genre, this film is highly recommended.

 

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