Duke Ellington: Carnegie Hall Concerts Jan. 1946 LP

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Tupla-LP Duke Ellingtonin musiikkia parhaalta kaudelta. Prestige 1977, US.

Duke Ellington And His Orchestra – January 1946

Duke Ellington And His Orchestra - January 1946 album cover

Label:

Prestige – P-24074

Series:

The Duke Ellington Carnegie Hall Concerts – #3

Format:

2 x Vinyl, LP, Album, Mono

Country:

US

Released:

1977

Genre:

Jazz

Style:

Big Band, Swing

A1Caravan

Written-By – Ellington*, Mills*, Tizol*

3:50A2In A Mellotone

Written-By – Ellington*, Gabler*

3:08A3Solid Old Man

Written-By – Duke Ellington

3:45Selections From Black, Brown And Beige

Written-By – Duke Ellington

A4Spiritual (Come Sunday) Work Song12:57B1The Blues6:02B2Rugged Romeo

Written-By – Duke Ellington

4:12B3Sono

Written-By – Duke Ellington

5:30B4Air-Conditioned Jungle

Written-By – Ellington*, Hamilton*

6:20B5Pitter Panther Patter

Written-By – Duke Ellington

2:45C1Take The "A" Train

Written-By – Billy Strayhorn

3:35A Tonal Group

Written-By – Duke Ellington

C2Melloditti8:20C3Fugueaditty3:18C4Jam-A-Ditty4:24C5Magenta Haze

Written-By – Duke Ellington

5:26Diminuendo In Blue / Transblucency(8:06)D1aDiminuendo In Blue

Written-By – Duke Ellington

D1bTransblucency

Written-By – Ellington*, Brown*

D2Crescendo In Blue

Written-By – Duke Ellington

3:59D3Suburbanite

Written-By – Duke Ellington

4:35D4I'm Just A Lucky So And So

Written-By – Ellington*, David*

4:55D5Riffin' Drill

Written-By – Duke Ellington

3:14

At this 1946 edition of the Duke's historic 1940's concert series, the emphasis was on expansiveness, with selections from the previously-presented Black, Brown and Beige; a brand new "tonal group"; and a reshaping of one of his earliest longer works, the 1930's pairing of Diminuendo and Crescendo in Blue.

Recorded in concert at Carnegie Hall, New York City, on January 4, 1946

Issued by arrangement with Mercer Records and Mercer Ellington.
Reprocessed, from original source material, by Jerry Valburn and Jack Towers.
Mastered, 1977, by David Turner (Fantasy Studios, Berkeley)

(NOTE: The total length of this concert has made it impossible to include in this two-record set every selection performed on this
occasion. The omissions were necessarily arbitrarily decided on, and there was no simple system used. My tendency was to do without vocal and pop-song numbers and some very-frequently recorded Ellington standards, and to retain pieces rarely or never to be heard elsewhere - even if the performance was less than perfect. - Orrin Keepnews)

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